疯狂山脉

THE MOUNTAIN OF MADNESS

The mountain emerges as a structure generated within the image. It takes shape through the accumulation of multiple temporal layers—myth, history, visual memory, and perceptual fragments—compressed into a single pictorial field.Madness appears here as a condition of instability within the structure. Spatial hierarchies loosen, distance contracts, and scale becomes uncertain. Forms shift continuously between figuration and abstraction, allowing the mountain to remain in a state of formation rather than resolution.Nature operates as an active force within the image. It extends beyond classification, maintaining a presence that is vast, opaque, and continuously shaping the conditions of what can be seen. The human figure exists within this field as a contingent element, subject to the same forces.The image holds a state of flux. Material presence and transformation coexist, producing a surface that is both forming and dissolving. Viewing takes place within this shifting condition, where perception remains active but never fully stabilized.